I composed The Root and the Crown across a period of over a year; re-drafting, re-working, proliferating material. I began to feel as if the act of composition was perhaps more in this process than in the finished piece itself, the object. The raw musical materials I was working with felt alive. They felt like things that could grow, change, mutate. I found it hard to fix them in place. The finished piece hopefully achieves a balance between the organismal and the structural. It's been something of a departure for me – or rather, maybe a further few steps into a more adventurous approach to composition.
The title, of course, refers to parts of the tree. It’s also a quote from a text written by artist Paul Klee in 1924 which attempts a kind of phenomenology of the creative process. It seemed appropriate in both respects.
The music is some of the most abstract I’ve written – in the sense that, mostly, it is self-reflexive. Its various textures are informed by the particular “colours” of Crash Ensemble, its distinctive personalities – for example, the particular weight of its string section, or the specific darkness of alto flute, bass clarinet and muted trombone in combination.
I thought about my friend Bob Gilmore often as I wrote the piece. The first draft was finished not long before he passed away, and the final draft completed close to a year later. Certain moments in the piece are there just for him.
- Garrett Sholdice, Feb 2016.
'The Root and the Crown' will premiere on March 22nd 2016 as part of Free State 9 at the Engineering Library, National Concert Hall.